The Clash's 'London Calling': overused advertising slogan or definition of an era?

Although The Clash's 'London Calling' is forever being overused as an advertising slogans, keen to get tourists into London (which is the opposite to what the song is actually preaching) I have to argue that it is on the list of songs that defined an era, an era that was full of uncertainty and collective depression. This song will forever go down in Punk history as it contains everything a punk song should have; raw energy, crackling vocals, a message of impending doom and the dismissal of society as 'phoney' (phoney Beatlemania has bitten the dust).

The ominous beat of the drums in the intro tells us that this song is a warning; a prophecy of nuclear disaster accompanied by the wailing warning sirens. Joe Strummer's husky, masculine vocals then suddenly explode into his tale of dystopia as he tells us that the positive ideology of the 1960s has gone for good.  London Calling is THE anthem of the 1970s, summing up the fear of nuclear technology and the decay of society. In fact, it would have been the ideal soundtrack to the government issued 'protect and survive' instruction videos as they are both acceptance of the grim situation. Strummer is preparing us for battle, telling us that the dream is over and we have to 'come out of the cupboard' to face the apocalypse. He isn't scared of London drowning and he lives by the river. 

The ice age is coming, the sun's zooming in....

Following the second chorus, Strummer caws like a bird of prey circling the city. Such a raw expression of anger and frustration that was felt by many in a time of mass strikes and unemployment before he assures us that we cannot tell anything new as he was there too. London Calling is still today a punk classic which gets pulses racing and as far of prophecies of doom go, this is my favourite.

David Bowie Is... You!

Today my senses were treated to an exotic feast of decadent  rock and roll at the David Bowie Is... exhibition at the Victoria and Albert Museum. The exhibition catered for the fast-paced, multi-tasking world of rock and roll that we live in, as at every turn music and visuals in the shape of video footage, Bowie's costume and personal items asked us 'David Bowie is....(what exactly?)

The vast array of costumes and original lyric sheets (seen on the right here) made me personally conclude that David Bowie is every man and every woman. The fact that an exhibition was curated for a man who is actually still alive made me realize why we are so hypnotized by his various alter-egos.  As I sat and watched Ziggy performing Rock 'n' Roll Suicide on a 20ft screen, I had my own epiphany, Bowie isn't a mythological superstar, he is simply everything David Jones had growing inside of him. Ziggy, Aladdin Sane, The Thin White Duke, Major Tom are all the people that we have inside of ourselves, they are our wildest desires, our curiosities, our lusts and passions. We all have these creative fires burning inside of ourselves which we sometimes have to repress due to the demands of our society. But David Bowie released every side he had and by exposing himself fully, he gave everyone else the courage to release their true selves, which was highly significant in the 60s/70s as homosexuality was still a highly controversial issue.

So David Bowie is the Sound and Vision that we all have inside ourselves, Bowie is the key to unlocking who we really are and want to be.